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ä»ããã§ãããèªåã®äººçã®æã¡æéã¯æéã§ãããã®æã¡æéãæã£ãŠãã以äžã«é·ããªã£ããïŒå¥åº·ãé·å¯¿ïŒãçªç¶çããªã£ããïŒäžæ²»ã®ç ãäºæ æ»ïŒããããšããããŸãããå¹³åçãªå¥åº·å¯¿åœã¯70ã80幎ããããšèšãããŠããŸãããã®æã¡æéãã§ããã ãæâŠ
ä¹ ãã¶ãã«è³ç£éçšã®è©±ãããããšæããŸãããŸãçµè«ããèšããšããããŸã§æããããªçµæãåºãŠããŸããããã®äžå¹Žéãå šåã§å ¥éããŠããTMFïŒDirexionãã€ãªãŒ20å¹Žè¶ ç±³åœåµãã«3åETFïŒãšããååã§ãããã¢ã¡ãªã«ãæ¿çéå©ãäžããããšã«æ ªäŸ¡ãäžæããâŠ
ãã¡ã®å®¶å ãäœã£ãäŒçµ±å·¥èžåããã¡å ã§è²©å£²ãããšãããæå€ã«ãå©çãåºãŠããŸã£ããã確å®ç³åãããå¿ èŠãåºãŠããŸãããæ¬æ¥ïŒã¡ãã£ãšããã¢ã«ãã€ãïŒãšå¯æ¥ïŒäŒçµ±å·¥èžäœå®¶ïŒã䜵ããŠãã©ã®ãããªæç¶ãããšã£ãŠç¢ºå®ç³åãããã°ããããå匷ããªãâŠ
å æ¥ãåã®å€æ¥ã«éé¢ããŠããæ£è ããïŒïŒKããïŒããæè¿ãèµ€ãããã£ããåºããã§ãâŠããšèšã£ãŠããŸãããæ³å°¿åšç§ã¯å°éå€ãªã®ã§ãããç°èã®ç é¢ã«ã¯æ³å°¿åšç§ã®å°éå»ãªããŠããªãã®ã§ãããã£ãç³»ã®ç æ°ã§ãïŒããçšåºŠã¯ïŒèšºå¯ããªããã°ãªããŸãããâŠ
Art Farmer-Donald ByrdïŒTwo TrumpetsïŒPrestige, 1956ïŒ www.youtube.com The lineup is a little strange, with Donald Byrd and Art Farmer on two trumpets and Jackie McLean on alto sax, but the sound that comes out is typical hard bop. The intâŠ
äžåŠçã®é ãå®æãã¹ãã®åœèªã§91ç¹ãåã£ãŠåŠå¹Ž1äœã«ãªã£ãããã®ãã¹ãã®æ°åŠã¯100ç¹ã§ããã¡ããåŠå¹Ž1äœã ã£ãã®ã ããæ ä»»ã®å çïŒåœèªæ åœïŒã¯ãæ°åŠã®1äœãããåœèªã®1äœã®æ¹ãããããã ãïŒãã£ãŠãåã®ããšãè·å¡å®€ã§ãã¿è€ãããŠããããæ°åŠã¯10âŠ
Charlie ParkerïŒBird Is FreeïŒCharlie Parker, 1952ïŒ www.youtube.com Listening to this live performance, you can understand how outlandish Parker's daily life was. Anyone who listens to a performance like this would not care what happens aâŠ
æšæ¥ãè¡è°é¢éžæã®æ祚ã«è¡ã£ãŠããŸããããçžå€ãããïŒãã€ãéãïŒäŒå Žã«ã¯é«éœ¢è ã°ããã§ãããåã¯ç°èã«äœãã§ããã®ã§ãããããé«éœ¢è ã®å²åãé«ããšèšãäºæ ããããŸãããããã«ããŠã20ã30代ãšæããã人ã¯æ°ããã»ã©ãããŸããã§ãããè¥è éâŠ
Dizzy GillepieïŒThe New ContinentïŒLimelight, 1962ïŒ www.youtube.com Gillespie may conjure images of festive music, but this work is quite different. The reason is that the Gliiespie Band plays music written for Gillespie by Lalo Schifrin,âŠ
ã©ããªç é¢ã§ããèå°è£ã§ã¯æ§ã ãªãããããèµ·ãã£ãŠããã倧åŠç é¢ã®ãããªå·šå€§ãªç é¢ã§ããç°èã«ããå°ããªèšºçæã§ããæ£è ããããã¯èŠããªããšããã§äºããæ¯æ¥ã®ããã«åçºããŠããã®ã§ããã å æ¥ãåãå€ããŠããç é¢ã®æŽåœ¢å€ç§ã®Nå çãçªç¶è»¢å€âŠ
Joni MitchellïŒShadows And LightïŒAsylum, 1979ïŒ www.youtube.com Joni Mitchell is a rock singer, but she often uses jazz musicians as her sidemen, and many jazz fans also like her. That's why she is a singer who strikes a chord with jazz fâŠ
ãã¡ã®å¥¥ãããäœãç¶ããäŒçµ±å·¥èžåãããšããçŸè²šåºã§å±ç€ºã»è²©å£²ãããããšãæçµæ±ºå®ãšãªããŸããããããšåæã«å€åãµã€ãã§ã販売ãå§ãŸããŸããçŸè²šåºãšã®å¥çŽæç¶ããäœåã®åçæ®åœ±ã販売ã«é¢ããæã¡åããããããŠå¬äºã§ã®åºåã®æºåãªã©ãªã©ããâŠ
Ella FitzgeraldïŒElla In BerlinïŒVerve, 1960ïŒ www.youtube.com This live album by Ella fully displays the charm of her swinging jazz vocals, and the flow from the subtitle "Mack the Knife" to "How High the Moon" is particularly pleasant. TâŠ
å æ¥ãã¡ã®åããè±èªã ããã©ãããŠãç¹ãåããªãâŠããšãã€ããŠãããå¡Ÿã«ãéãããäžå€æŒ¬ãã®ãã¹ãå匷ã ãã§ãåŠå¹Žäžäœã®æ瞟ãåã£ãŠããå®åè ã ãããããã«è±èªãšããæç§ã ãã¯æ¥ã ã®ç©ã¿éããç©ãèšãããããŠããªãã§å°ããæãããã£ãºããŒæ âŠ
The Jazz Composer's OrchestraïŒJCOA, 1968ïŒ www.youtube.com This in an overwhelming performance that records the best moments of 60's free jazz. The track where Cecil Taylor takes a solo is particularly impressive, backed by the thick sounâŠ
以åããããã£ãšæ¥œãªä»äºïŒå®æã§åž°å® ãé±äŒ3æ¥ïŒãããŠããŠãµãšæãããšããããããã¯ããããªæ¥œãªä»äºãããŠããŠæ¬åœã«ãããã ãããïŒããšããããšã§ããããããããçç£æ§äžå®ããšãããã®ã«é¥ã£ãŠããã®ãããããªããçç£æ§äžå®ãšã¯ä»¥äžã®éãã§ãâŠ
Dollar BrandïŒAfrica Tears And LaughterïŒEnja, 1979ïŒ www.youtube.com South African Darah Brand has created a unique piece themed on the African climate for piano and soprano saxophone. The hidhlight is "Ishmael," in which the two sopranosâŠ
å æ¥ãã¡ãžã£ãŒãªãŒã°ã§æŽ»èºäžã®å€§è°·éžæããšãã§ããªãèšé²ãæã¡ç«ãŠããå²äžåãšãªãã50æ¬å¡æïŒ50çå¡ãã§ããããã®æ¥ã®å€§è°·éžæã¯ãããã£ãã1çªDHã§å çºãã6ææ°6å®æã3æåžé£ç¶ããŒã ã©ã³ã10æç¹ã2çå¡ã®å€§æŽ»èºã ã£ããä»äºäžã«ã³ãœã³ãœãšèŠãŠâŠ
Archie SheppïŒA Sea Of FacesïŒBlack Saint, 1975ïŒ www.youtube.com Grecian Moncur's strange piece "Hypnosis," which filled the entire 26 minutes and 10 seconds of the A-side of the analog era, is amazing. Shepp plays his tenor passionately âŠ
ã¡ãžã£ãŒãªãŒã°ã§å€§æŽ»èºããŠãã倧谷éžæãèŠãŠãããšæãåºãããšããããããã¯åã®æ¯ããç¹ã«ã¹ããŒãã«é¢ããŠè¶ ãã¬ãã£ãã§ãã£ãããšã ãåãåäŸã®é ã¯ãã¬ãã§éç芳æŠãããªãã家æã¿ããªã§æ©åŸ¡é£¯ãé£ã¹ãã®ãæ¥åžžã§ãã£ããåã®ç¶ã¯æ ¹ã£ããã®å·šâŠ
ãJAZZãRichie BeirachïŒEONïŒECM, 1974ïŒ www.youtube.com The album begins with a surprising arrangement of Bill Evan's signature song "Nardis" led by Frank Tusa's bass. With this one song, Richie Beirach's talent as a new pianist in the EvâŠ
ã€ãå æ¥ã®æãä»çã«ã¡ãã£ãšããçšäºãã§ããã®ã§æ £ããªãå°éãè»ã§èµ°ã£ãŠãããšãããæ°å®¶ãæããå ã®éããååè·¯ã«äžå°ã®ããã«ãŒãåãŸã£ãŠãããæã£ã±ãããäœã§ãããªãšããã«ããã«ãŒãåãŸã£ãŠããã ããïŒã£ãŠçåã«æããããã«ãŒã®æ¹ããã©âŠ
JAZZã¯å€§å¥œããªã®ã ããJAZZã°ããèŽããŠãããšæ£çŽé£œããŠããããããªæã«ã¯ãæ°ã«å ¥ãã®J-POPãèŽãããšãå€ãã£ãããæè¿ã¯ãä»ãŸã§ã«èŽããããšã®ãªãé³æ¥œããèŽãããã«ããŠãããããšããæ°ã«å ¥ãã®J-POPã§ããã£ã±ã飜ããŠããâŠãšããã®ãäžçªã®çç±âŠ
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Lee KonitzïŒInside Hi-FiïŒAtlantic, 1956ïŒ www.youtube.com Konitz's alto, with its subdued, lyrical sound, spins out minor melody accompanied by Billy Bauer's guitar. The track is a Konitz original, "Kelly's Trace," which any enthusiast woâŠ
å é±ãäœå¹Žæ¯ããã®å±ä¹ 島æ è¡ãããŠããããçäŒã¿ãå€ããšå°ãã ãèªç©ºæéãå®ããªããæ²çžã®ããã«ã¡ãžã£ãŒãªæ è¡å ã§ãªããã䟿æ°ãéããããå±ä¹ 島çŽéã®é£è¡æ©ã ãšæéãé«ããªããããåã¯ãã€ã鹿å 島çµç±ã§å±ä¹ 島ãžé£ã¶ããšã«ããŠããã鹿å 島ãâŠ
Michel PetruccianiïŒOwl, 1981ïŒ www.youtube.com This is Michel Petrucciani's memorable debut album. When I first listened to the new album, I was surprised to hear such an amazing pianist, and in fact, he is a truly outstanding jazz musiciâŠ